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SDG

286. O Mensch, bewein' dein Sünde gross. BWV 402. Johann Sebastian Bach.

SDG

1:22	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		24	0	8	4	100%
Contrabass		19	0	7	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		24	0	8	4	100%
Contrabass		19	0	7	3	50%

31. Aus tiefer Noth schrei ich zu dir, BWV 38 #6, Chorale, Martin Luther.

SDG

1:00	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
		21	0	4	3	100%
		21	0	4	3	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		21	0	4	3	100%
Contrabass		15	0	2	3	53%

43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.

SDG

1:11	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	4	100%
Tenor/Bass		19	0	5	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	4	100%
Tenor/Bass		19	0	5	4	100%
Contrabass		17	0	4	3	50%
Tenor		2	0	0	2	4%

44. Christ, unser Herr, zum Jordan kam. BWV 7.7. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	3	100%
Tenor/Bass		21	0	5	3	100%
Contrabass		13	0	2	2	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	3	100%
Tenor/Bass		21	0	5	3	100%
Contrabass		13	0	2	2	53%

221. Komm, heiliger Geist, Herre Gott (Du heilige Brunst, süsser Trost). BWV 226/2

SDG

1:14	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	5	100%
Tenor/Bass		17	0	5	6	100%
Contrabass		13	0	3	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	5	100%
Tenor/Bass		17	0	5	6	100%
Contrabass		13	0	3	3	50%

176. Ich dank' dir, lieber Herre. BWV 347.

SDG

1:00	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		19	0	4	6	100%
Contrabass		13	0	2	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		19	0	4	6	100%
Contrabass		13	0	2	3	50%

248. Meines Lebens letzte Zeit. BWV 381.

SDG

1:05	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	5	100%
Tenor/Bass		19	0	3	5	100%
Contrabass		14	0	3	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	5	100%
Tenor/Bass		19	0	3	5	100%
Contrabass		14	0	3	3	50%

113. Gott der Vater wohn' uns bei. BWV 317.

SDG

1:29	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	5	100%
Tenor/Bass		18	0	2	5	100%
Contrabass		13	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	5	100%
Tenor/Bass		18	0	2	5	100%
Contrabass		13	0	1	3	50%

174. Ich bin ja, Herr, in deiner Macht. BWV 345.

SDG

1:02	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	6	5	100%
Tenor/Bass		17	0	6	4	100%
Contrabass		14	0	4	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	6	5	100%
Tenor/Bass		17	0	6	4	100%
Contrabass		14	0	4	3	50%

329. Wachet auf, ruft uns die Stimme. BWV 140 #7.

SDG

1:24	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	1	4	100%
Tenor/Bass		17	0	4	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	1	4	100%
Tenor/Bass		17	0	4	4	100%
Contrabass		15	0	3	3	50%
Violoncello		15	0	3	3	50%

164. Herzlich thut mich verlangen (Wenn ich einmal soll scheiden). BWV 244/62.

SDG

1:03	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		23	0	8	4	100%
Contrabass		17	0	6	3	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		23	0	8	4	100%
Contrabass		17	0	6	3	53%

Speak to my soul dear Jesus. Wij hebben de verlossing door Jezus dierbaar bloed.

SDG

1:08	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	3	100%
Tenor/Bass		12	0	1	3	100%
Contrabass		6	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	3	100%
Tenor/Bass		12	0	1	3	100%
Contrabass		6	0	1	3	50%

153. Herzlich lieb hab' ich Dich, o Herr. BWV 174/5.

SDG

1:21	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	2	100%
Tenor/Bass		20	0	5	2	100%
Contrabass		16	0	4	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	2	100%
Tenor/Bass		20	0	5	2	100%
Contrabass		16	0	4	2	50%

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